It was a rewarding experience reviewing for Thespian Magazine. Adequate time was given to complete the review. The editorial members were clear and professional, and all necessary instructions were given in detail. I particularly appreciate the quick responses from the editor, which made the review process smooth. Overall, the review experience was academically rewarding, and I would be happy to continue contributing as a reviewer in the future.

• Rupam Datta
• Assistant Professor , University of Kashmir

Very professional staff. I would publish with Thespian one more time.

• Pedro Panhoca da Silva
• Lecturer , FATEC/Jacareí

I was interested to discover the article "From Courtly Craze to Coasters: A Catastrophic Chronicle of Ganjifa Cards" in Thespian Magazine (Vol 4 Issue 1) online. The article bears a different emphasis from my own interest, but I am, in a modest way, doing my part to revive interest in Ganjifa cards and their use. It is stated in the article that "no-one knows exactly how to play Ganjifa anymore", and indeed, while a few descriptions of the game have been preserved in writing, none of them are detailed enough to serve as a comprehensive guide to play. To this I would add that there never was just one way to play Ganjifa. As the rules were passed from player to player during the centuries when the game was popular, innovations would have accumulated with every generation, and in this way every village evolved its own variation of the rules. We know from our experience of life that nothing survives unless it is always changing, and so it is with games. From this I conclude that if we wish to revitalise Ganjifa, it is not enough simply to restore that which existed in the past. We must use our creativity to invent new versions of the game, being guided by the past but not constrained by it. We must also play these creations and adjust them whenever we see that they may be improved. Only then can Ganjifa once more become a living tradition. I have created two games for Ganjifa cards. The first, drafted in 2011 and perfected in 2015, was designed for a 96-card Mughal deck and is entirely my own invention. The second, drafted in 2016 for Sunish Chabba's "Guru Ganjifa" project, was designed for a 120-card Dashavatara deck and is my attempt to capture the spirit of the traditional game while adapting it for a modern, global audience. The latter game is a work in progress, and I am eager to hear from anyone who owns a Ganjifa deck (preferably Dashavatara) and is interested in playtesting it and providing any feedback you might have. In case any Thespian Magazine readers are interested in this, details can be found at https://outerhoard.wordpress.com/2016/11/05/ganjifa-revisited/ and I can be contacted through that page. Perhaps some will disagree with my approach to revitalising this time-honoured game. In that case, as the saying goes, let a thousand flowers bloom. Whether we, as individuals, are more interested in the artistic, historical, religious or entertainment value of Ganjifa cards, I sincerely hope that Ganjifa enthusiasts around the world can find ways to work together on our common goals.

• Adrian Morgan
• - , None

Thank You Bivas, giving me this opportunity . This is my first publication. Best wishes for you and your team.

• Jayita basak
• Part Time Teacher in Chandernagore College , Ph.d scholar ,DEOMEL , French, Visva-Bharati