About The Origin of Jatra

DOI: https://doi.org/10.63698/thespian.v11.1.sr.11

স্বাধীনতার ৫০ বছর: বাংলাদেশের থিয়েটার

Virtual Theatre: Its Prospects in Post-Covid World

DOI: https://doi.org/10.63698/thespian.v11.1.sr.09

Migration, Marriage and Motherhood - A Close Reading of Bhikari Thakur's Selected Plays

DOI: https://doi.org/10.63698/thespian.v11.1.su.10

From Dilemma to Insanity: Representation of Colonial Horror in Gurcharan Das' Larins Sahib

DOI: https://doi.org/10.63698/thespian.v11.1.sg.07

Re-Reading the Folk Performance: Gambhira as Subaltern Narrative of Resistance

DOI: https://doi.org/10.63698/thespian.v11.1.ss.08

Gender and Performance: Indian Perspective

Contemporary Indian Theatre: A Journey of Resistance from Classical Roots and Colonial Influences to Dalit Empowerment

মিলন মুখোপাধ্যায়ের নাটক ঘোড়া ঘোড়া: মধ্যবিত্তের সংকট

Empowering Voices: The Evolution and Empowerment of Women in Indian Theatre and Drama

Situating Chhenra Tar in the Theatre of the Bengal Famine: A Study of the Structural Elements of the Play

DOI: https://doi.org/10.63698/thespian.v11.1.ap.01

Editorial

Modern Toilet

The Cultural Heritage of Bangladesh

Baby’s Anger- I Don’t Want to Listen My Husband

A Traveler at Night

Holes

Dear Chichimra

Before the Barbeque

Wonder Cage

Writing Back to the Empire: A Study of the Use of Aboriginal Myths and Legends in Noel Tovey’s Production of A Midsummer Night’s Dream

DOI: https://doi.org/10.63698/thespian.v8.1.VCPT4948

লোকঅভিনয় ও প্রচলিত আখ্যান- একটি ভিন্নপাঠ

DOI: https://doi.org/10.63698/thespian.v8.1.GMOP9313

The New Wave in French Cinema (1959-1968): A Critical Study

DOI: https://doi.org/10.63698/thespian.v8.1.TETW4673

রবীন্দ্রনাথ ও স্বদেশীগান: বঙ্গভঙ্গ

Gamebooks in Classroom: The Practice of Bloomian Synthesis in Portuguese Language Classes in Elementary School

DOI: https://doi.org/10.63698/thespian.v8.1.DQFZ6528

Metaphors, Monsters and Magnification: A Study of Horror, Fear and the Grotesque in the Graphic Novel Adaptation of The Starnge Case of Dr. Jekyll and Mr. Hyde

Crisis, Survival and an Enigma of Homelessness: Tracing the History of Afghanistan in Khaled Hosseini’s Novels

DOI: https://doi.org/10.63698/thespian.v8.1.KXAO5073

Editorial

Janam’s Yeh Bhi Hinsa Hai (This also is Violence): A Review

The Noble People of a Small Town

টিকিট পরীক্ষক

Glimpses of Santiniketan

Illustrating Bijon Bhattacharya’s Nabanna

Negotiating Gender Identity and Independence: Theatre as Reform in Dattani’s Tara

সমাজ চেতনায় মেয়েলীগীত: ভাঁটিপূজা

কলকাতার সংগীত চর্চায় আশুতোষ দেব (ছাতুবাবু) মহাশয়ের অবদান

Gazing into the ‘Mirror of Gesture’: Nandikeswara’s Abhinaya Darpana in Translation

Expressions of Ecocriticism in George Stewart’s Earth Abides

Merging the Real and Romantic Spaces for a Living: A Study of Surabhi Theatre Practices

Editorial

ব্রহ্মপুত্রে সূর্যাস্ত

Try For Once

মৃতা

Contradiction between the Tradition and Modern Tamil Theatre in Tamil Nadu: Interviewed Pralayan

The Hypocrisy of a God-Man & his fake Astrology: a Review of the Jatrapala Somaj Shatru Ganak Thakur

Cold within the Heart of Children & the Doom of Parents: A Review of the Jatrapala Briddhyashrame Kadche Baba-Maa

The Road

শান্তির সন্ধানে

বাংলা ও বিহারের কৃষিকেন্দ্রিক প্রবাদ প্রবচনের সমাজতাত্ত্বিক ও ভাষাতাত্ত্বিক প্রেক্ষিত

A Short Account of the Statues and Monuments installed in Guwahati after 1970: Representations of Assamese identity in Public Space

DOI: https://doi.org/10.63698/thespian.v5.1AOPY7410

Different ‘faces’ of Shakespeare in the 19th century Calcutta Theatres

DOI: https://doi.org/10.63698/thespian.v5.1.FXEB6124

Editorial

Taking Tiger Mountain by Strategy

DOI: https://doi.org/10.63698/thespian.v4.1.NXSE8485

মিরাবো সেতু

DOI: https://doi.org/10.63698/thespian.v4.1.VBAG7875

Theatres of Afghanistan: An interview of Md. Azim Hussainzadah

DOI: https://doi.org/10.63698/thespian.v4.1.QEKN9685

একটি টুকরো কথোপকথন

DOI: https://doi.org/10.63698/thespian.v4.1.RNZX4841

নীলাখ্যান : বাঙলা নাট্যের বিশ্বজনীন উদ্ভাস

অতীত ও বর্তমানের বন্ধন – একটি প্রদর্শনী ও আমাদের শান্তিনিকেতন

DOI: https://doi.org/10.63698/thespian.v4.1.DAZT1888

Why We Travel

From Courtly Craze to Coasters: A Catastrophic Chronicle of Ganjifa Cards

The Bush Ethos in Modern Australia: A Re-reading of Tim Winton’s Dirt Music (2001)

DOI: https://doi.org/10.63698/thespian.v4.1.VVRD9782

The Silver Screen Crusoe: Exploring the Interdisciplinary Dynamics in Jack Gold’s Man Friday

DOI: https://doi.org/10.63698/thespian.v4.1.NMPO2495

The Emergence and Development of Academic Fine Arts: Perspective Bangladesh

শিল্পী সফিউদ্দিন ও তাঁর ছাপচিত্র

Roman Coins in India and Their Impact

বাংলার প্রহসনে পাশ্চাত্য প্রভাব

Editorial

The Jurassic Egg

DOI: https://doi.org/10.63698/thespian.v3.2.YWFX9377

Dreaming Together

DOI: https://doi.org/10.63698/thespian.v3.2.YSNE5750

Almighty

DOI: https://doi.org/10.63698/thespian.v3.2.OIOS6900

On Contemporary Theatrical Practices

DOI: https://doi.org/10.63698/thespian.v3.2.LPRP8713

“All the world's a stage”: Shakespeare, Liberties and Impossible Global Stage

The ‘sumptuous spoils of foreign soils’: Wealth and Acquisition in The Rape Of The Lock and Robinson Crusoe

DOI: https://doi.org/10.63698/thespian.v3.2.AUGM3036

‘Politicisation of Aesthetics’ and the Life of Epic Theatre: A Study

Theatre of Roots and its Subversions

তারাশঙ্করের ছোটগল্পে প্রতিফলিত গ্রামজীবনের চিত্র

Unkindness Towards Children: In the light of Shakespeare’s King Lear,SrimadBhagavatam, the Mahabharata and Tagore’s Karna-KuntiSa.nbaad

Discourses of Intertextuality in Harriet Jacobs’s Incidents in the Life of a Slave Girl, Written by Herself

An Existentialist Stance on Change, Personal, Social and Psychosocial, in Eugene O’Neill’s Long Day’s Journey into Night

Editorial

সম্পাদকীয়

An Amazing Stage-Craft: Circarena

DOI: https://doi.org/10.63698/thespian.v3.1.RSKD2265

একটি আশ্চর্য মঞ্চকল্প: সারকারিনা

DOI: https://doi.org/10.63698/thespian.v3.1.ZPMM6351

The impetus and search of Bangla Narrative Performance: Interviewed Nasir Uddin Yousuff

DOI: https://doi.org/10.63698/thespian.v3.1.YJFK5638

বাঙলা বর্ণনাত্মক নাট্যরীতির অভিঘাত ও অন্বেষণ: কথোপকথনে নাসির উদ্দীন ইউসুফ

DOI: https://doi.org/10.63698/thespian.v3.1.YWUP6581

Self-Other

DOI: https://doi.org/10.63698/thespian.v3.1.TLQL2536

Death of the Reader

DOI: https://doi.org/10.63698/thespian.v3.1.ECAS1233

Gram (Village) Theatre and Its Roots

DOI: https://doi.org/10.63698/thespian.v3.1.ZESP8341

On the Paths of Gram (Village) Theatre

DOI: https://doi.org/10.63698/thespian.v3.1.JYXR8916

Bhasha Andolon and Drama

DOI: https://doi.org/10.63698/thespian.v3.1.WTBG8736

On the context of a play by O’ Neill

DOI: https://doi.org/10.63698/thespian.v3.1.SYJU2489

Sobuj Dwiper Raja as a Robinsonade

DOI: https://doi.org/10.63698/thespian.v3.1.XRGC1578

Reflections of Cultural Trauma in the Short Stories of Paul Laurence Dunbar

Light Design Shapes: A Theatrical Space

DOI: https://doi.org/10.63698/thespian.v3.1.NSXM1107

স্বাদেশিকতা থেকে রাজনৈতিকতাঃ রবীন্দ্রনাথের রঙ্গমঞ্চে যাত্রার ভূমিকা

DOI: https://doi.org/10.63698/thespian.v3.1.YFNT7909

From Indigenisation to Politicisation: Role of Jatra in Tagore’s Theatre

DOI: https://doi.org/10.63698/thespian.v3.1.MAOZ7012

Editorial

সম্পাদকীয়

রাজপথের কথা

The Utterances of the Grand Road

“If you want to do theatre, you will have to understand it properly…”: Interviewed Manoj Mitra

“থিয়েটার করতে গেলে – সেটা ভালো করে বোঝা উচিত...”: কথোপকথনে মনোজ মিত্র

Theatre music opens a new gate for contemporary theatre

আবহ সঙ্গীতের স্বতন্ত্রতা ও নতুন সম্ভাবনা

রঙ্গমঞ্চ

The Stage

রবীন্দ্রনাথ ঠাকুর: ভারতীয় নাটকের পথ-প্রদর্শক

Rabindranath Tagore: The Prophet of Indian Theatre

পদচিহ্ন

The Imprints

About Thespian

থেসপিয়ান পরিচিতি

Editorial

সম্পাদকীয়